Patricia Heaton Articles >> 2004
January 8 2004

Simon's 'Goodbye Girl' for small screen

By Tom Tugend | New Jersey Standard


The characters are updated and slightly older, Neil Simon said in a call from New York, but otherwise a new TV version of his The Goodbye Girl retains the easy charm and predictable plot of the 1977 hit film, and later Broadway play.

Basically, it's boy meets cute girl, girl hates boy and vice versa, boy and girl fall in love, boy and girl live happily, at least as long as it lasts.

Simon originally wrote The Goodbye Girl as a screenplay starring Richard Dreyfuss, who won an Oscar, and Marsha Mason (then Simon's wife), who got an Oscar nomination.

The principals, then and now, are Paula McFadden, a 30-something New York dancer and divorcee whose actor boy-friend has just dumped her and left town. Not only that, he surreptitiously subleased the apartment to an actor friend, Elliot Garfield, who arrives one dark and stormy night to the horror of Paula and her precocious daughter Lucy.

With living space hard to come by in the Big Apple, Paula and Elliot reach a reluctant and hostile modus vivendi by sharing the flat. When both suffer professional rejections, they console each other, with sympathy evolving into friendship and love.

When Elliot then accepts a coveted movie assignment out West, it looks like another farewell for the goodbye girl, but Simon deftly assures a happy ending.

Aside from introducing a few contemporary gadgets such as cell phones, the script is pretty much the same as the original.

"Our characters are a bit older, they talk faster, and the romance is more adult," noted director Richard Benjamin.

But is the Elliot Garfield character Jewish?

Simon was noncommittal, but Benjamin guessed that "he seems to have a Jewish gene somewhere."

The romantic leads, played by Patricia Heaton (Everybody Loves Raymond) and Jeff Daniels (The Hours) make the chemistry work, and they are winningly complemented by Hallie Kate Eisenberg as daughter Lucy.

However, comedy honors go to Alan Cumming as a fey off-Broadway director who tortures Elliot into portraying Richard III as a flamboyant homosexual.