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November 14 2005
Tribune News Service
Author:
Luaine Lee
After almost 10 years as the
spunky wife, Debra, on
"Everybody Loves Raymond,"
Patricia Heaton has her life
back. Well, almost.
As the mother for four boys
ages 6, 8, 10 and 12, Heaton
finds herself packing
lunches, splitting homework
patrol with her husband,
emptying the dishwasher,
doing much of the cooking
and squeezing in commercials
for a national market chain.
She's also executive
producing, with her husband,
a major TV film in which she
stars: "The Engagement
Ring," set to premiere Nov.
28 on TNT.
"The thing about working on
a show from 10 to 4 - four
days a week - if you can
call that work - those times
are blocked off and you just
focus on that," says Heaton,
seated on a sleek couch in
her modern office at the
Disney Studios.
"Now that that's opened up,
nature abhors a vacuum. So
all this stuff comes in and
stuff you've been wanting to
do for a long time. You want
to do these charitable
opportunities you've had for
a long time, you want to see
the friends you haven't seen
for a long time. I started
tennis and golf also ... But
my kids are now at the point
in school where they're
getting TONS of homework ...
My husband has a documentary
that's been going around to
film festivals, which I
produced, so it's been
really, really crazy."
Dressed in a gray T-shirt
and jeans, her chestnut hair
pulled back with a rubber
band, Heaton looks like a
harried housewife.
But a life crammed with
events is nothing new to the
actress, whose mother died
when she was 12, burdening
her with what C.S. Lewis
called "a severe mercy."
"I often think that my
mother dying was sort of a
severe mercy in my life - a
very odd and painful gift
because I think it made me
always keep my own mortality
in perspective, which I
think is important," she
says.
"It just made me have to be
a stronger person. It's
horribly painful, but I feel
it's given me a truer view
of the world and your
priorities and an extra side
thing is it really enriches
your ability to empathize
and have compassion for
people which, as an actor,
you have to completely be
able to experience some
suffering and pain - even
for comedy. You need to know
pain in order to do comedy.
Comedy is just pain plus
timing," she laughs, that
warm chuckle that 16 million
people recognized each week
on "Raymond."
"I'm an independent person
anyway and then, when my mom
died, I really got a sense I
was on my own. And I've
always felt not lonely but
alone. Ultimately you're
alone. It's up to you -
alone except for God. You
strip it down, that's it.
And it's your
responsibility. I think
that's what keeps me moving
along."
Though Heaton, 47, bounced
onto the "Raymond" show
full-blown, she'd spent nine
frustrating years in New
York trying to unearth an
outlet for her talent.
The day she sublet an
apartment from
actor-producer Dave Hunt
turned out to be pivotal in
more ways than one.
"The 'apartment' turned out
to be a room ... with three
other guys. It was one room
in a three-bedroom big, old
apartment with communal
kitchen and bathroom," she
recalls.
"One guy was a bartender,
one was a schoolteacher and
there was another guy who I
don't think we ever actually
saw."
She kept in touch with the
landlord "because of phone
bills and whatever," she
says.
"He was kind of hitting on
me a lot. It took about a
year. I had sublet the
apartment so I could move
closer to the guy I was
dating. So that ended
shortly after. But it was
about a year before Dave and
I actually dated. I was
going to Los Angeles to do
an industrial show and he
was in L.A. shooting a Clint
Eastwood movie, so we got in
touch there and from that
weekend we started dating."
She and Hunt are partners
not only at home but at
work. Sometimes that can be
tricky, she admits.
While they were producing
"The Engagement Ring" (Hunt
also plays her fiance) they
clashed. "It was a little
difficult because it was the
first time we were working
together and producing, and
we had all the kids with us
so we were doing
pre-production stuff and
still working on the script
and in production and still
working on the script.
"So in between, we'd have to
go into the dressing room
and work on the scene or go
out and check on the set to
make sure it was right. And
there was no downtime, and
we were exhausted. When I
had a day off I was with the
kids and he was working.
When I was working, he was
with the kids. I'm not used
to those 12-hour days so we
were a little bit on the
edge with each other ... I
think it would be easier if
one of us were acting and
the other were producing."
But Heaton is able to admit
when she's in the wrong. One
day the director of "The
Engagement Ring" called her
aside. "He said, 'You know,
Patty, I notice you have a
tendency to direct Dave.' He
said, 'Don't.' To my credit
I told Dave he said that,"
she laughs. |