By Josef Adalian,
Michael
Schneider
| Variety Magazine
In
the
end,
the
women
of
Wisteria
Lane
were
no
match
for
the
Barones
of
Long
Island,
NY.
Despite
a
year
of
hype
surrounding
Marc
Cherry's
ultra
popular
"Desperate
Housewives,"
Emmy
voters
decided
to
bid
a
fond
farewell
to
"Everybody
Loves
Raymond"
by
awarding
it
the
outstanding
comedy
statuette
over
"DH."
"Raymond"
also
won
a
pair
of
acting
awards
for
thesps
Brad
Garrett
and
Doris
Roberts.
It
was
a
fitting
sendoff
for
a
show
many
believe
may
be
the
last
traditional
sitcom
smash
to
emerge
from
the
Big
Six.
"Listen,
all
year
long
they've
been
asking
us,
now
that
the
show
is
going
away,
is
this
the
end
of
the
sitcom?"
creator
Phil
Rosenthal
said.
"I
want
to
say
yes.
I
also
think
beyond
that
it's
the
end
of
laughing.
And
soon
the
end
of
smiling."
But
quips
aside,
Rosenthal
said
the
Emmy
win
was
the
perfect
end
to
the
show's
tremendous
run.
"We
want
to
thank
all
of
you
for
nine
wonderful
years
we've
loved
all
of
it
and
we've
loved
all
of
you,"
he
added.
The
Emmy
love
might
have
also
been
a
subtle
rebuke
to
producer
Touchstone
Television's
decision
to
submit
the
hourlong
"DH"
in
the
comedy
category.
A
number
of
top
sitcom
producers
were
vocal
in
their
displeasure
over
the
move,
though
Cherry
and
others
rightly
pointed
out
that
the
ABC
sudser
defies
categorization.
Whatever
the
politics,
the
"Raymond"
wins
represent
the
end
of
an
amazing
journey
for
Rosenthal.
Like
so
many
laffers
--
"Cheers"
and
"Seinfeld"
immediately
come
to
mind
--
"Raymond"
started
life
as
the
ultimate
underdog.
Launched
shortly
after
Leslie
Moonves
took
over
CBS,
"Raymond"
was
barely
a
blip
in
the
ratings
in
its
original
Friday
slot.
Decision
to
move
the
show
to
the
Eye's
fabled
Monday
comedy
lineup
had
some
crix
worried
the
show
would
die
a
quick
death
in
such
a
high-pressure
environment.
Instead,
"Raymond"
flourished
and
helped
lead
CBS
out
of
the
ratings
basement.
Unlike
some
of
its
sitcom
peers
(most
notably
"Friends"),
the
thesps
on
"Raymond"
did
not
become
media
superstars.
Entertainment
Weekly
and
People
didn't
devote
endless
covers
to
Ray
Romano
and
Patricia
Heaton.
And
while
it
seems
half
the
writers
of
"Friends"
ended
up
working
on
other
sitcoms
within
a
year
or
two
of
the
show's
debuts,
almost
all
of
"Raymond's"
scribe
staff
stayed
intact
for
the
show's
nine-year
run.
Garrett,
who's
also
an
Emmy
favorite,
summed
up
the
show's
"amazing
run"
while
collecting
another
trophy
for
supporting
actor
in a
comedy.
"You
held
in
there
for
nine
years,"
he
said
of
the
show's
viewers.
"The
fans,
you
stuck
it
out
with
us.
What
a
road
it's
been."
In
what
may
be
the
final
appearance
together
for
some
time,
series
stars
Romano,
Heaton,
Garrett,
Roberts,
Peter
Boyle
and
Monica
Horan
took
the
opportunity
to
rib
one
another
one
more
time.
Romano
kicked
off
the
shtick
by
noting
that
presenters
usually
need
to
shine,
in
the
hopes
that
Emmy
viewers
might
check
out
their
show.
"We
don't
have
that
pressure
tonight
because
we
don't
have
a
show
anymore,"
he
noted.
To
which
Garrett,
clutching
his
Emmy,
responded:
"Uh,
we
should
try
to
be a
little
funny
because
there
may
be a
spinoff."
"Good
luck
if
that
happens,"
Romano
groused.
Backstage,
Garrett
confirmed
that
talks
are
ongoing
for
his
spinoff.
"It's
not
dead
--
there
are
talks,"
he
said.
"Some
important
elements
have
to
come
together,
but
it
is
something
that
is a
good
possibility
at
this
time."
As
for
"DH,"
show
didn't
go
home
empty-handed:
Felicity
Huffman
won
for
lead
actress
in a
comedy
and
the
show's
pilot
won
for
direction.
But
the
loss
in
the
writing
and
outstanding
comedy
categories
is
certain
to
prompt
some
internal
debate
at
Touchstone
in
coming
months
over
whether
it
makes
sense
to
continue
submitting
"DH"
as a
comedy.
Strategy
worked
fine
in
the
less
traditional
Golden
Globes,
but
Emmy
voters
are
a
notoriously
provincial
bunch,
and
some
diehard
sitcom
types
may
have
blanched
at
honoring
an
hourlong
show
in a
category
generally
reserved
for
half-hours.
Of
course,
it's
doubtful
viewers
will
give
any
thought
to
the
Emmy
outcome
next
Sunday,
when
"DH"
returns
for
its
second
season.
After
all,
"Arrested
Development"
won
the
Emmy
comedy
race
last
year
--
and
actually
averaged
less
viewers
in
its
sophomore
year.