By Ray Romano | Golf Digest
Every year, on Monday
after the Masters, Ray
Romano plays Augusta
National from the tips. Last
year he played his best
round yet, and...
I STILL REMEMBER THE PHONE
CALL.
I was in my dressing room on
the "Everybody Loves
Raymond" stage when my
assistant called to say CBS
President Leslie Moonves was
on the line. We were in our
fourth season and had
started to do pretty well in
the ratings, but not great.
I wasn't about to rule out
that this was the
"cancellation call," that I
was now officially out of
the business and had to give
back all the money.
Hesitantly, I answered the
phone.
"Hello?"
"Hey, Ray, Les Moonves. How
are you?"
I wanted to say, "Cut the
lame small talk; just stick
the knife in me and be done
with it." Instead I went
with, "Fine." Then I laughed
lamely, coughed and said,
"Excuse me."
There was a short, awkward
silence, and then, "So, you
wanna come play Augusta?"
Again, silence.
Did I hear right? Did he
say, "play Augusta"? I think
he did, and if he did, then
holy crap, that's the exact
opposite of canceling the
show and taking back all my
money.
As suave as I could, I said,
"Augusta? Yeah, why not?"
while trying hard not to let
him hear the Tom Cruise jump
I was doing on my couch. I
couldn't believe it. Not
only would I get to see the
Masters in person, I'd be
playing Augusta National
with some CBS bigwigs the
day after.
The first thing I had to do
was explain to my wife, who
knows nothing about sports,
that I really needed to
leave her and our four kids
for three days so I could
watch and then play golf.
Somehow I needed to explain
the enormity of this
invitation. Terms like
"Mecca" and "Holy Land" have
little effect on someone who
cares nothing about golf. I
had to put this in terms she
could relate to.
"Honey, it's like you got an
invitation to the land where
they make Gucci. . . . "
Almost. She almost
understood.
" . . . and Bon Jovi lived
there."
Boom! Now she got it.
There's no way I wasn't
going.
We arrived on Friday of the
2000 Masters and hopped in a
CBS golf cart for a ride to
the clubhouse. That's when I
used my cell phone for one
of those "Guess where I am?"
calls to my buddy Claude in
New York. Suddenly, Les
Moonves panicked. "Put that
phone away, Ray. They're not
allowed here. Holy s---,
we'll lose the account."
I apologized, put it away
and thought, Man, this is
cool. I'm at the only golf
course in the world that can
make the most powerful man
in show business panic. I
couldn't wait to call Claude
and tell him.
On Sunday, Moonves, me and a
couple of other execs
watched the final round from
the press stands on Amen
Corner. We had a great view
of the approach shots at 11,
the entire par-3 12th and
the tee shot for the par-5
13th. We watched about the
last 10 groups come through,
and then walked to the 18th
to see Vijay win. Absolutely
thrilling.
That night I slept like a
fat kid on Christmas Eve. I
looked at the clock every 10
minutes, just willing the
morning to arrive. Somehow I
got two or three hours
sleep, and Monday we drove
to the no-nonsense security
checkpoint at the entrance
to Magnolia Lane, where
everyone had to show his
official invitation from the
club. They even demanded a
picture ID. For a minute, I
got a little scared. This
was Augusta. They have their
own rules. What if they run
my name through their
computer, find out I owe
late fees at Blockbuster and
ban me? Before I could
really panic, they waved us
through.
That day I made a promise to
myself that with respect to
the tradition and history of
the ground we were on, I
would always play by the
rules. That meant no
mulligans, no gimmes, no
"I'll just drop it here." I
really wanted to see what I
could shoot on the same
course that Vijay, Tiger and
the boys had faced on Sunday
-- same tees, same hole
locations. My handicap then
had fluctuated between 14
and 17, and I set a goal for
myself: I wanted to break
100 from the tips.
That first year I shot 106,
but it wasn't without some
memorable moments. I
finished with a par on 18,
and even better was parring
the 13th, the same hole
Ernie Els would make an 8 on
in 2002. You hear that,
Claude? On one of the most
famous holes in golf I beat
Ernie Els by three shots. Of
course, I don't think he
ever six-putted No. 14.
That's right, six-putted.
But here's the beauty of
playing Augusta: Even after
six-putting, the smile never
left my face. It never does
when I'm there. That's the
magic of the place. You get
swept up in the beauty, the
history and the colors. When
I saw the course in person
for the first time, the
green of the fairways blew
me away. It's like green in
High Def.
Last year, I returned for
what I'm afraid might be my
last round at Augusta. It
was two months after we'd
filmed the last episode of
"Everybody Loves Raymond." I
had to be realistic. This
was a great perk of having a
CBS show, but it wouldn't
last forever. And if this
was my last time, I was
determined to come away with
a score in double digits.
In my foursome are two
agents and one of Les
Moonves' writer friends. All
three are single-digit
handicappers, but for some
reason they don't want to
play the back tees. I
explain that I have a
16-handicap, but I still
want to play the tournament
tees. It's tradition.
They tell me it's fine if I
wanna play the tips, but
they're gonna play up front.
Oh boy. Now I have a
dilemma.
It was 7,290 yards from the
tips then, and 6,365 from
the fronts. If I break 100
from the front tees, it
won't mean the same. On the
other hand, if I play the
backs it might get weird
when I dub one 50 yards and
don't even reach them.
"C'mon, guys," I say. "If
you get to take batting
practice at Yankee Stadium,
are you gonna take it from
second base?"
No response. I got a little
desperate.
"Bon Jovi would play the
tips."
They played the fronts; I
played the backs.
Standing on that first tee,
I tell myself that all I
need to do to reach my goal
of breaking 100 is to shoot
27 over par or better. I
remind myself to have fun
and not think about score.
Then I remind myself that
breaking 100 would make it
fun, so I'll probably be
thinking about my score.
With that, I pull my opening
tee shot way left over the
trees, into the ninth
fairway.
Calm down, stupid.
My next shot sails
majestically over the trees
and back into the first
fairway, leaving me 60 yards
from the hole.
Not bad.
My third stops one foot from
the hole.
Calm down, stupid.
I make the putt, and I'm
even par at Augusta after
one hole. You hear that,
Claude? If this was the
Masters, I'd be on the
leader board!
After a bogey and a double
bring me back to reality, I
stand on the 205-yard fourth
trying to decide between a
4- and a 5-iron. It's
downhill, so I hit the
5-iron. As it sails right
for the pin I worry out
loud:
"Is it enough? Is it
enough?"
If it was enough, why I am
holding a sand wedge?
I try to blast out of the
bunker, and the ball goes
nowhere. Double bogey. It
doesn't seem right to curse
at Augusta, but I do.
On the 455-yard fifth I hit
driver, 5-iron to pin-high
on the left. I need a flop
shot over the bunker to get
it close.
I flop it into the bunker.
Another curse, a small
whimper and a guttural
half-yell.
I blast out to six feet.
This would be a moral
victory to come away with a
bogey.
I sink it. I'm back.
On the 180-yard sixth, I hit
a good tee shot just on the
fringe but follow it with a
terrible chip. Why? Because
I'm a stupid man with body
odor.
I tell the agents I'll miss
them as I hike 80 yards back
to my tee on the 410-yard
seventh. In the history of
the Masters, I'd learn
later, no pro had ever
scored higher than 8 on this
hole. Time to make history.
Ten. . . . I got a 10.
Why? Because I'm a hack and
my face is ugly.
Even with that disaster, I
refuse to give up. I'm
actually driving the ball
great, which gives me hope.
The surprising thing about
Augusta is how wide open it
plays. It always looked
narrow on TV, but in reality
it's not. Even so, I finish
the front nine with a bogey
on 8 and a triple on 9. When
I look at the damage, it
says 53. That's 17 over par.
I need a hug.
Am I giving up? No. I need to shoot 10 over on the back to break 100.
Stranger things have happened. On the 495-yard 10th I hit driver, hybrid
5-iron to 15 feet and make the two-putt par. I don't think you heard me:
I'm not giving up!
After a bogey at 11 to start Amen Corner, I'm on the famous 12th. The
history, the tradition, the shank into the pond.
Double bogey. I then bogey 13 and 14 and realize that with all the
trouble I had on the front nine, I can still shoot 98 if I bogey out.
I nail a drive on the par-5 15th that leaves me 240 yards to the green.
I want to go for it, but I have to clear that damn pond. Yesterday Chris
DiMarco laid up from 218 yards. Ray Romano is going for it from 240.
I grab my 3-wood. I take a deep breath. And . . . I reconsider.
Lay up, I tell myself. Just leave a 40- or 50-yard pitch for your third.
I switch to a 7-iron, and just as I'm about to address the ball I look
at my caddie. "I've gotta go for it," I tell him. "I've got a chance to
get on the 15th in two." Who knows, maybe a little Gene Sarazen magic.
He hands me the 3-wood and spits a little chewing tobacco on the grass.
It's a dramatic touch that pumps me up. I take a breath and then drill
the 3-wood right on the button. It's headed for the hole.
"You got it!" says my caddie.
"Go! Go!" I yell.
I get a rush of adrenaline as we watch it sail toward the hole. These
are the coolest moments in golf. You can't change what's going to
happen. You did what you could, now it's up to the golf gods. You can
only watch and hope it goes your way.
Green or water?
Green or water?
Water.
I curse my luck, my game and my dog as I walk up and take a drop 40
yards from the hole. Then, somehow I pitch to four feet and have a putt
to save par. I stand over the putt, and to quote my son Joe, from when
he was 3 years old: "I scared."
I make it. I make the putt, my third par of the day. I'm 22 over with
three to play. If I bogey out I shoot 97. I can do this.
On to the 16th, the famous par 3 that Tiger made even more famous with
his chip-in the day before. I hit a 6-iron behind the bunker on the
left. And, once again, my flop shot fails me and lands in the bunker.
Why, why, why?
I'm thinking about score again. "I'll blast out and one-putt for bogey."
I blast out to 15 feet. But wait a minute. This is that green where
magic happens, and sure enough the ball rolls back to three feet. I get
a little giddy.
A simple three-footer.
Right here I learned there's nothing worse than a lip-out on a
three-footer. UNLESS YOU LIP OUT THE TWO-FOOTER COMING BACK.
Triple-bogey 6.
I want to rip my ear off.
Now I need bogey-bogey for 99. I start talking to myself.
"C'mon, it's your last time here. Just keep it together. You need a
haircut."
On 17, I make a clutch five-footer for bogey. I start talking again.
"Way to go, Ray. Just relax and swing easy. You're not gay just 'cause
you got a manicure."
I step up to 18, and as much as I try to relax, I'm a little nervous.
Somehow, I manage a good drive that just catches the right rough. I've
only got 165 yards. Uphill. I stand over the ball with a 6-iron and
talk:
"Just get it airborne."
What I should have said was, "Don't top it. Don't hit the worst shot of
the day and advance it only 40 yards."
Now I need to regroup. I need to knock it on and two-putt. Another deep
breath and I hit a pitching wedge that looks good but drifts right. Will
it get over the bunker and onto the green?
No, it won't. It's in the bunker.
One last chance for 99: get up and down.
I blast out, and the ball lands a foot from the hole. For one moment I
have a glimmer of hope, and then it's crushed as the ball continues
rolling, 20 feet down the hill.
For the first time I let the thought register that I'm not going to
break 100, and I'm OK with it. I got to play Augusta again, and as the
kids say, "It's all good." Of course, in the back of my head I'm
thinking, Maybe I can make a miraculous chip for 99.
Nah.
Chip to six feet. Miss the putt. Triple-bogey 7. Final score: 101.
We all gather for a group picture, and after one final look down the
18th fairway we walk off, and I realize that when I talk to my kids, and
eventually my grandkids, about playing the greatest course in the world,
score won't matter. What will matter is when they hear the excitement
and thrill in my voice as I describe what it was like.
I told Claude I shot 94.
